The Femininity of the Novel and the Diversity of Narrative Patterns in the Novel 'Khabba Man Dassaha' by Sulaiman Awadh Masoud: A Critical Reading.

Abstract

The feminine vision in the novel (Khaab Man Dasaha) represents the backbone of the novel, as the heroine of the novel appears with her present personality, growing in feelings and events, which made the feminine description of the novel the most important in the critical view of it, and the search may be in several elements, the threshold of the cover and the title, which was represented in the use of the black color and the placement and font of the title color, the hanging clock, as well as the author's name and his information, and the features of the growing feminine character came in the course of its events, which is the grieving female who suffered false promises, and was sincere in love, until she reached a state of despair and disappointment, and the narrator appeared in several places describing the female's inner feelings and emotions, then the techniques of dialogue, and the internal monologue dialogue emerged, and the external dialogue dialogue that often took place between the hero and the heroine, and the language of the novel varied between symbolic ambiguity and revealing clarity, and intertextuality, as the writer used it intensively and clearly, especially religious intertextuality. In conclusion, I showed that the ambiguity in the language of the novel sometimes made it difficult to follow the ideas and understand the meanings in them, as if they were thoughts written in a condensed language, and also the abundance of religious intertextuality in the novel indicates the culture and identity of the writer.